Episode 181 - Future of Storytelling Experiences with Charles Melcher
As I have been going through this book writing journey, one of the most interesting parts has been the focus on storytelling. In academic writing, there tends to be more of a focus on a kind of sanitized relating of “facts” in a very disimpassioned way. Also, there is the verbose tendency to describe things, using many words to explain simple things. If words equaled money, academics would be the richest people in the world. But more words doesn’t equal greater understanding and better storytelling. In fact, it can be quite the opposite. It is not how much we say, but how we say it. What makes for a good storyteller is that they know how to say it.
Being able to tell a story shouldn’t be that hard since it is a part of our human experience and existence. Afterall, this is how people have shared information for a long time. So why is it so hard to write that way? Why are we so often insecure in terms of telling stories and communicating with others in that form? It is true that being a good storytelling is an art, but it is also science. There are elements that we can break down as part of storytelling. And today, there is more dazzling technology to assist in immersing people in the stories being told. However, at its core, it is still about telling a story that captures the attention and imagination of the audience, to bring others into the space that is being described.
I’m very pleased to have today on Experience by Design podcast Charles Melcher, master storyteller, creator, and founder of Melcher Press as well as the Future of StoryTelling, a live event that focused on new developments at the intersection of storytelling and technology. Finally, there is the book “The Future of Storytelling” which is a visually engaging and wonderfully creative exploration on emerging directions of telling stories and engaging audiences.
With all of that experience, he clearly has a lot to say and share about storytelling. We talk about his early journey at Yale, where he studied literary criticism. He talks about his exploration of Robert Frank’s photography, capturing experiences and telling stories through images. The examination of Frank would go on to exert a significant influence on how Charles thought about images and stories.
We discuss the balance between artistic expression and commercial appeal in publishing, sharing his experiences in high-end art books and commercially viable projects. Charles also talks about trying to balance technological wonder with intimacy, sharing examples of where he tried to combine intimate moments but in a large-scale production. Part of this is engaging the audience, preferring the term “Actians” which captures the active role of audiences in modern storytelling.
Finally, we talk about worldbuilding and immersive storytelling, creating the potential for surface entertainment and deeper narrative engagement, allowing audience members to customize their experience based on the level they choose to engage with the immersive environment (much like literary criticism). He shares how this is part of his most recent project, the Theodore Roosevelt Presidential Library, which opens this July 4th weekend in Medora, North Dakota. As he describes, the library aims to help visitors embody Roosevelt’s values and experiences.
As we celebrate the 250th anniversary of the United States this weekend, it is a great time to explore telling complex stories that enrich, educate, entertain, and immerse.
LEARN MORE:
Charles Melcher on LinkedIn: https://www.linkedin.com/in/charlesmelcher/
Melcher Media: https://melcher.com/
The Future of Storytelling event: https://futureofstorytelling.org/
“The Future of Storytelling” book: https://www.amazon.com/dp/1648293832
Theodore Roosevelt Presidential Library: https://www.trlibrary.com/
